A reflection on intergenerational organizing, in honor of AWID’s #ICommit Tweetathon!
A scene from Women of the World film “The Revolutionary Optimists”
When you ask many parents in Indian villages about education, they’ll tell you that it’s an investment – and beyond that, that it’s more valuable to invest in a son’s education than a daughter’s. That’s what Bhagwat Thorat would have told you before he went to a community screening of the film Revolutionary Optimists. He had pulled each of his three daughters out of school when they reached puberty, fearful that if he waited too long to find them husbands they would have fewer prospects, that they would become victims to sexual violence, or if nothing else, that his investment would end up benefitting the husband’s family and not his own. Continue reading →
Salma, a Women of the World series film chronicling the extraordinary story of South India’s most famous woman poet and the violence she endured as a young woman, has stirred an incredible response among villagers in Maharashtra, India. One female health worker in particular has seen remarkable changes in the community she serves. Continue reading →
Five countries, six languages, and 100 young people leading change in their communities. Please join Women and Girls Lead Global at our Global Gathering for Girls. We’ll be convening youth from Kenya, India, Bangladesh, Jordan and Peru via Google Hangout to discuss how they’re tackling the greatest challenges facing girls in their countries.
We’ll be joined by Sikha Patra and Salim Shekh, the lead characters from the documentary film Revolutionary Optimists, whose activism has become an inspiration to young people around the world; and by moderator Rebecca Gaynier, founder of iTwixie, an online platform connecting girls’ authentic voices with decision-makers.
Internationally-acclaimed, multiple-award winning filmmaker Kim Longinotto (Rough Aunties, World Cinema Jury Prize in Documentary, Sundance 2009) returns with Salma — the extraordinary story of a woman who becomes the legendary activist, politician, poet, Salma.
For nine years, until she agreed to an arranged marriage, Salma was trapped first by her family and then again by her husband – physically locked away, unable to continue her education and forced to write her passionate words secretly. Only Salma’s anger and determination kept her focused on obtaining her freedom. When Salma’s visceral poems reached a publisher, their frank and open observations about her own sexuality, her forced marriage and her village’s customs made her an overnight sensation, much to the displeasure of her family and village. Pushed into running in an election as a village leader by her husband, Salma unexpectedly is elected and becomes the voice for women also imprisoned by the same fate. Her legendary refusal to follow traditional Muslim customs and her outspokenness about the treatment of village women secure her status as a true rebel in the face of an ancient and brutal tradition.
Crafted as a slowly unfolding detective story, Longinotto carefully peels past the layers of contradictions that define Salma — an engaged, contributing protagonist whose emerging voice loudly soars above the “knots and ties of love” used to imprison the female heart and soul.
No Problem! Six Months with the Barefoot Grandmamas is about the rural solar electrification project run by the Barefoot College in the village of Tilonia in the state of Rajasthan, India, where numerous illiterate rural women from all over the world, particularly Africa, are being trained as solar engineers. The solar-electrification project symbolizes hope – as a simple idea originating from a little known village in India has the potential to impact global communities.
The film follows the story of the 2011 batch of African women, from Tanzania-Zanzibar, South Sudan, Malawi, and Liberia, as they live together in Tilonia — leaving their families and their countries for the first time in their lives. The women live and learn together for six months without knowing each other’s languages, but sharing a unifying goal – to become solar engineers and bring electricity to their villages which have never had light.
No Problem! Six Months with the Barefoot Grandmamas is the story of these courageous women — most of them middle aged grandmothers — full of optimism, often fighting against their traditional roles and duties, to be a part of a life-transforming journey not only for themselves but for all those who they will take back light for. Through their stories, a fascinating tale of sustainability, demystification of technology, and social inclusion unfolds.
Bundelkhand in central India, a region notorious for its rebels-turned-armed bandits, is witnessing a new kind of rebellion with an unusual cast of characters. These are the pink sari-clad women of the Gulabi Gang, who use words as weapons – demanding their rights, submitting petitions and haranguing corrupt officials. They travel long distances by cart and tractor, bus and train, to wrest justice for women and dalits, undeterred by sneering policemen and condescending bureaucrats.
Sampat Pal, the group’s founder, is a rough-and-tough woman with a commanding personality. Despite being born into a traditional family and married off early, she has evolved her own brand of feminism and egalitarian politics. Constantly on the move, today she may be found investigating the suspicious death of a young woman, tomorrow protesting against a corrupt official.
The Hero Project, WGLG’s social change campaign in India, was created in the direct wake of the tragic gang-rape and murder of a young female medical student (affectionately called “Nirbhaya” – fearless one – in Indian media) on a New Delhi bus – a story that sparked outrage and action among communities all over India and across the globe. Encouraging young men and boys to take heroic actions against gender-based violence and discrimination in their own communities, The Hero Project was built to evoke personal reflection, a sense of responsibility, and a fresh perspective on masculinity. For those present at The Hero Project’s launch on December 16, 2013, exactly one year after “Nirbhaya’s” tragic assault, the room crackled with the urgency of these messages for young Indian men. Continue reading →
The work of Delhi-based director and writer Rahul Roy probes the theme of masculinity, an angle that is seldom explored in the global dialogue on gender. Roy’s most recent project, Let’s Talk Men 2.0, presents four films from four different South Asian contexts – Pakistan, India, Sri Lanka, and Nepal – that both represent and interrogate masculinity.
WGLG’s Engagement Coordinator in India, Abhishek Srivastava, recently caught up with Roy to discuss the connection between masculinities and gender-based violence, and the role that film plays in communicating these complex narratives. Continue reading →
What does it mean to be masculine? The Women and Girls Lead Global project in India aims to challenge harmful gender stereotypes that may contribute to gender-based violence, and to cultivate a group of young role models who are inspired to take action to promote positive notions of masculinity. As I’ve begun talking with young […]