Internationally-acclaimed, multiple-award winning filmmaker Kim Longinotto (Rough Aunties, World Cinema Jury Prize in Documentary, Sundance 2009) returns with Salma — the extraordinary story of a woman who becomes the legendary activist, politician, poet, Salma.
For nine years, until she agreed to an arranged marriage, Salma was trapped first by her family and then again by her husband – physically locked away, unable to continue her education and forced to write her passionate words secretly. Only Salma’s anger and determination kept her focused on obtaining her freedom. When Salma’s visceral poems reached a publisher, their frank and open observations about her own sexuality, her forced marriage and her village’s customs made her an overnight sensation, much to the displeasure of her family and village. Pushed into running in an election as a village leader by her husband, Salma unexpectedly is elected and becomes the voice for women also imprisoned by the same fate. Her legendary refusal to follow traditional Muslim customs and her outspokenness about the treatment of village women secure her status as a true rebel in the face of an ancient and brutal tradition.
Crafted as a slowly unfolding detective story, Longinotto carefully peels past the layers of contradictions that define Salma — an engaged, contributing protagonist whose emerging voice loudly soars above the “knots and ties of love” used to imprison the female heart and soul.
Bundelkhand in central India, a region notorious for its rebels-turned-armed bandits, is witnessing a new kind of rebellion with an unusual cast of characters. These are the pink sari-clad women of the Gulabi Gang, who use words as weapons – demanding their rights, submitting petitions and haranguing corrupt officials. They travel long distances by cart and tractor, bus and train, to wrest justice for women and dalits, undeterred by sneering policemen and condescending bureaucrats.
Sampat Pal, the group’s founder, is a rough-and-tough woman with a commanding personality. Despite being born into a traditional family and married off early, she has evolved her own brand of feminism and egalitarian politics. Constantly on the move, today she may be found investigating the suspicious death of a young woman, tomorrow protesting against a corrupt official.
Their voices are suppressed, prohibited, and censored. But world-famous bloggers Yoani Sánchez, Zeng Jinyan, and Farnaz Seifi are not frightened of their dictatorial regimes. These fearless women stand for a new, networked generation of modern rebels. In Cuba, China, and Iran their blogs shake the foundations of the state information monopoly – putting their lives at great risk.
Barbara Miller’s film, Forbidden Voices, accompanies these brave young rebels on their dangerous journey and traces their use of social media like Facebook, YouTube, and Twitter to denounce and combat the violations of human rights and freedom of speech in their countries – thereby triggering international resonance by building up enormous political pressure.
TIME Magazine counts them among the world’s most influential voices. Based on their moving eyewitness reports and clandestine footage, Forbidden Voices pays homage to their courageous battle.
The Hero Project, WGLG’s social change campaign in India, was created in the direct wake of the tragic gang-rape and murder of a young female medical student (affectionately called “Nirbhaya” – fearless one – in Indian media) on a New Delhi bus – a story that sparked outrage and action among communities all over India and across the globe. Encouraging young men and boys to take heroic actions against gender-based violence and discrimination in their own communities, The Hero Project was built to evoke personal reflection, a sense of responsibility, and a fresh perspective on masculinity. For those present at The Hero Project’s launch on December 16, 2013, exactly one year after “Nirbhaya’s” tragic assault, the room crackled with the urgency of these messages for young Indian men. Continue reading →
The work of Delhi-based director and writer Rahul Roy probes the theme of masculinity, an angle that is seldom explored in the global dialogue on gender. Roy’s most recent project, Let’s Talk Men 2.0, presents four films from four different South Asian contexts – Pakistan, India, Sri Lanka, and Nepal – that both represent and interrogate masculinity.
WGLG’s Engagement Coordinator in India, Abhishek Srivastava, recently caught up with Roy to discuss the connection between masculinities and gender-based violence, and the role that film plays in communicating these complex narratives. Continue reading →
What does it mean to be masculine? The Women and Girls Lead Global project in India aims to challenge harmful gender stereotypes that may contribute to gender-based violence, and to cultivate a group of young role models who are inspired to take action to promote positive notions of masculinity. As I’ve begun talking with young […]
The screening was scheduled for 7:30pm, but by 6:00 around 50 young girls and boys had gathered before the big white projector screen that had been set up on an expanse of dirt in the Delhi slum of Madanpur Khadar. As the start time neared, more people crowded into the space – mothers cradling infants, gangs of teenage boys, girls in pink and red and aqua-colored saris – until nearly 200 people were pressed tightly together. Organized by Women and Girls Lead Global and Magic Bus, a non-profit organization that mentors young people in the slums of Delhi, the event featured a screening of Revolutionary Optimists. The film profiles a group of adolescents in the slums of Calcutta who are being groomed as community organizers by a lawyer-turned-activist named Amlan Ganguly. Because the WGLG India campaign focuses on challenging harmful gender stereotypes as a way of addressing gender-based violence at the roots, one of the key messages that was highlighted at the screening is the mutual respect of the boys and girls in the film, and the exemplary way that they share power and leadership roles. Continue reading →
Dr. Wanjiru Kamau-Rutenberg works at the intersection of academia and social entrepreneurship. A professor of political science and international relations, she is also the founder and Executive Director of Akili Dada, an award-winning leadership incubator that is nurturing the next generation of African women leaders.
She spoke with WGLG-Kenya’s Country Engagement Coordinator Josephine Karianjahi — whose “Women in the Red” campaign strives to balance the gender equation in Kenyan politics — about the value of women leaders, and what it will take to prepare more Kenyan women for political office. Continue reading →
Three decades ago, Wangari Maathai suggested to rural women in her native Kenya that they plant trees for firewood and to stop soil erosion – an act that grew into a nationwide movement to safeguard the environment, defend human rights, and fight government injustice. The tree-planting groups that formed gave the women a reason to come together and become involved in resolving their communities’ challenges. Continue reading →
When the Balkans exploded into war in the 1990s, reports that tens of thousands of women were being systematically raped as a tactic of ethnic cleansing captured the international spotlight. I Came to Testify is the moving story of how a group of 16 women who had been imprisoned by Serb-led forces in the Bosnian town of Foca broke history’s great silence – and stepped forward to take the witness stand in an international court of law. Continue reading →